{"id":72747,"date":"2018-12-10T12:51:18","date_gmt":"2018-12-10T11:51:18","guid":{"rendered":"https:\/\/www.aspeninstitute.it\/pin\/week-november-9-15\/"},"modified":"2018-12-10T12:51:18","modified_gmt":"2018-12-10T11:51:18","slug":"week-november-9-15","status":"publish","type":"pin","link":"https:\/\/www.aspeninstitute.it\/en\/pin\/week-november-9-15\/","title":{"rendered":"The week of November 9 \u2013 15"},"content":{"rendered":"<p><strong style=\"font-style: normal;\">Culture<\/strong> led the way in Italy related news in this week\u2019s foreign press. The <em style=\"font-weight: normal;\">Financial Times<\/em> wrote about <strong style=\"font-style: normal;\">Lorenzo Lotto\u2019s<\/strong> new exhibition, \u201cPortraits\u201d, in London\u2019s National Gallery that offers insight into the aspirations of the Middle Class during the Renaissance (November 9 &#8211; <a href=\"https:\/\/www.ft.com\/content\/65e454b4-e1cc-11e8-a8a0-99b2e340ffeb\" target=\"_blank\" rel=\"noopener\">Status and anxiety: Lorenzo Lotto\u2019s portraiture at the National Gallery<\/a>*). On <em style=\"font-weight: normal;\">El Pa\u00eds<\/em> reviewed <strong style=\"font-style: normal;\">Matteo Garrone\u2019s<\/strong> latest film \u201cDogman\u201d(November 9 &#8211; <a href=\"https:\/\/elpais.com\/cultura\/2018\/11\/09\/actualidad\/1541747099_421553.html\" target=\"_blank\" rel=\"noopener\">Matteo Garrone muestra el David y Goliat de los arrabales romanos<\/a>), whilst <em style=\"font-weight: normal;\">Le Monde<\/em> described how Trieste-born writer <strong style=\"font-style: normal;\">Paolo Rumiz<\/strong> set out to follow in the footsteps of his grandfather \u2013 who had fought in the Austrian-Hungarian army &#8211; along the confines of Spain\u2019s autonomous Galicia region (November 8 &#8211; <a href=\"https:\/\/www.lemonde.fr\/livres\/article\/2018\/11\/08\/paolo-rumiz-fils-de-la-frontiere_5380527_3260.html?xtmc=italie&amp;xtcr=24\" target=\"_blank\" rel=\"noopener\">Paolo Rumiz, \u00abfils de la fronti\u00e8re\u00bb<\/a>).<\/p>\n<p><strong>Italians around the world<\/strong> \u2013 Two Italians who head up international institutions were interviewed featured in separate articles this week. <em>Le Monde<\/em> was with <strong>Filippo Grandi<\/strong>, the UNs 11th High Commissioner for Refugees (November 9 &#8211; <a href=\"https:\/\/www.lemonde.fr\/international\/article\/2018\/11\/09\/filippo-grandi-l-essentiel-est-qu-on-nous-donne-les-moyens-d-aider-les-pays-qui-hebergent-vraiment-les-refugies_5381259_3210.html?xtmc=italie&amp;xtcr=14\" target=\"_blank\" rel=\"noopener\">\u00abPour le HCR, l\u2019essentiel est d\u2019aider les pays qui h\u00e9bergent vraiment les r\u00e9fugi\u00e9s, en Afrique ou en Asie\u00bb<\/a>*) whilst <em>El Pa\u00eds,<\/em> was with <strong>Maurizio Bussolo, <\/strong>lead economist in the World Bank\u2019s Chief Economist Office for Europe and Central Asia (November 11 &#8211; <a href=\"https:\/\/elpais.com\/economia\/2018\/11\/08\/actualidad\/1541695188_963048.html\" target=\"_blank\" rel=\"noopener\">\u201cSi no cambiamos, podemos llevar a una generaci\u00f3n hacia la pobreza\u201d<\/a>).<br \/>Then <em style=\"font-weight: normal;\">The Guardian<\/em> wrote about the passing of <strong style=\"font-style: normal;\">Enzo Apicella, <\/strong>the designer who revolutionized the look of Italian restaurants in the UK in the 60s (November 14 &#8211; <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2018\/nov\/14\/enzo-apicella-obituary\" target=\"_blank\" rel=\"noopener\">Enzo Apicella obituary<\/a>).<\/p>\n<p><strong>Food &amp; Drink <\/strong>is a sector that often attracts the attention of the foreign press and Austria\u2019s <em>Der Standard<\/em> wrote about expansionist goals of <strong>Ferrero<\/strong> that will be opening a Nutella Caf\u00e9 in New York (November 14 &#8211; <a href=\"https:\/\/derstandard.at\/2000091326313\/Nutella-eroeffnet-Cafe-in-New-York\" target=\"_blank\" rel=\"noopener\">Nutella er\u00f6ffnet Caf\u00e9 in New York<\/a>) having provided readers with a traditional fall recipe for pumpkin and hazelnut ravioli (November 13 &#8211; <a href=\"https:\/\/derstandard.at\/2000091083871\/Herbstliche-Pasta-Kuerbis-Haselnuss-Ravioli-in-Minzbutter\" target=\"_blank\" rel=\"noopener\">Herbstliche Pasta: K\u00fcrbis-Haselnuss-Ravioli in Minzbutter<\/a>).<\/p>\n<p>&nbsp;<\/p>\n<p>*Article available for pay \/ at registration<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong style=\"font-style: normal;\">Culture<\/strong> led the way in Italy related news in this week\u2019s foreign press. The <em style=\"font-weight: normal;\">Financial Times<\/em> wrote about <strong style=\"font-style: normal;\">Lorenzo Lotto\u2019s<\/strong> new exhibition, \u201cPortraits\u201d, in London\u2019s National Gallery that offers insight into the aspirations of the Middle Class during the Renaissance (November 9 &#8211; <a href=\"https:\/\/www.ft.com\/content\/65e454b4-e1cc-11e8-a8a0-99b2e340ffeb\" target=\"_blank\" rel=\"noopener\">Status and anxiety: Lorenzo Lotto\u2019s portraiture at the National Gallery<\/a>*).<\/p>\n","protected":false},"author":2358,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"freetags":[],"tipologiapin":[2375],"tag_tecnica":[],"temi_aspen":[],"attivita_internaz_in_essere":[],"attivita_internaz_concluse":[],"studi_e_ricerche":[],"class_list":["post-72747","pin","type-pin","status-publish","hentry","tipologiapin-foreign-press-italys-success-stories"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/72747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin"}],"about":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/types\/pin"}],"author":[{"embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/users\/2358"}],"version-history":[{"count":0,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/72747\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/media?parent=72747"}],"wp:term":[{"taxonomy":"freetags","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/freetags?post=72747"},{"taxonomy":"tipologiapin","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tipologiapin?post=72747"},{"taxonomy":"tag_tecnica","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tag_tecnica?post=72747"},{"taxonomy":"temi_aspen","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/temi_aspen?post=72747"},{"taxonomy":"attivita_internaz_in_essere","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_in_essere?post=72747"},{"taxonomy":"attivita_internaz_concluse","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_concluse?post=72747"},{"taxonomy":"studi_e_ricerche","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/studi_e_ricerche?post=72747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}