{"id":72656,"date":"2018-03-05T09:46:37","date_gmt":"2018-03-05T08:46:37","guid":{"rendered":"https:\/\/www.aspeninstitute.it\/pin\/week-february-23-march-1-0\/"},"modified":"2018-03-05T09:46:37","modified_gmt":"2018-03-05T08:46:37","slug":"week-february-23-march-1-0","status":"publish","type":"pin","link":"https:\/\/www.aspeninstitute.it\/en\/pin\/week-february-23-march-1-0\/","title":{"rendered":"The week of February 23 \u2013 March 1"},"content":{"rendered":"<p class=\"NormalWeb\"><strong>Fashion<\/strong> \u2013 The final days of Milan fashion week monopolize coverage in foreign dailies: the spotlight is on <strong>Prada<\/strong> (<em>Reuters<\/em>, February 22 \u2013 <a href=\"https:\/\/www.reuters.com\/article\/fashion-milan-prada\/rpt-prada-brings-milan-to-its-feet-with-a-collection-of-bold-lines-and-colours-idUSL8N1QD02Y\" target=\"_blank\" rel=\"noopener\">Prada brings Milan to its feet, with a collection of bold lines and colours<\/a>) and <strong>Ferragamo<\/strong> (<em>Financial Times<\/em>, February 25 &#8211; <a href=\"https:\/\/www.ft.com\/content\/c3814e58-19cf-11e8-956a-43db76e69936\" target=\"_blank\" rel=\"noopener\">Salvatore Ferragamo AW18 review: Paul Andrew\u2019s very clever debut<\/a>; <em>The New York Times<\/em>, February 23 &#8211; <a href=\"https:\/\/www.nytimes.com\/2018\/02\/23\/style\/paul-andrew-salvatore-ferragamo-milan-fashion-week.html\" target=\"_blank\" rel=\"noopener\">3 Things About Paul Andrew Before His Ferragamo Fashion Debut<\/a>), and on the \u201cspectacular runway\u201d with which <strong>Dolce&amp;Gabbana<\/strong> closed Fashion Week; a \u201cshow\u201d that is \u201ca declaration of love to the fashion industry\u201d (February 25 on <em>Reuters<\/em> &#8211; <a href=\"https:\/\/www.reuters.com\/article\/us-fashion-milan-dolce-gabbana\/dolce-gabbana-opens-the-gates-of-fashion-heaven-in-milan-show-idUSKCN1G90UH\" target=\"_blank\" rel=\"noopener\">Dolce &amp; Gabbana opens the gates of fashion heaven in Milan show<\/a>; <em>The Guardian<\/em> &#8211; <a href=\"https:\/\/www.theguardian.com\/fashion\/2018\/feb\/25\/dolce-gabbana-aw18-milan-fashion-week-religious-iconography\" target=\"_blank\" rel=\"noopener\">Dolce &amp; Gabbana&#8217;s new show is declaration of love to fashion industry<\/a>). While <em>The Washington Post<\/em> and <em>Frankfurter Allgemeine Zeitung <\/em>cover all the news on the various runways (February 23 &#8211; <a href=\"https:\/\/www.washingtonpost.com\/lifestyle\/italian-exhibit-traces-its-fashion-dna-cavalli-shows-skin\/2018\/02\/23\/a2ff3fec-18d4-11e8-930c-45838ad0d77a_story.html?utm_term=.20a175e79f51\" target=\"_blank\" rel=\"noopener\">Versace, Cavalli, Etro, Marras update their design DNA<\/a>; February 26 &#8211; <a href=\"http:\/\/www.faz.net\/aktuell\/stil\/mode-design\/kampf-um-aufmerksamkeit-bei-mailaender-modewoche-15468960.html\" target=\"_blank\" rel=\"noopener\">Es macht Boom in Mailand<\/a>), other outlets concentrate on the economic strategies of Italian brands: <em>The Wall Street Journal<\/em> recounts how Gucci is aiming to stabilize the boom it is currently experiencing (February 25 &#8211; <a href=\"https:\/\/www.wsj.com\/articles\/gucci-seeks-to-escape-fashions-boom-bust-1519563600?mod=searchresults&amp;page=1&amp;pos=2\" target=\"_blank\" rel=\"noopener\">Gucci Seeks to Escape Fashion\u2019s Boom-Bust<\/a>), while <em>Reuters<\/em> dedicates two articles to the growth and sales strategies of Moncler, in particular on the online channel (February 27 &#8211; <a href=\"https:\/\/www.reuters.com\/article\/us-moncler-strategy\/italys-moncler-expects-to-outshine-luxury-market-with-online-push-idUSKCN1GB1E2\" target=\"_blank\" rel=\"noopener\">Italy&#8217;s Moncler expects to outshine luxury market with online push<\/a>; February 26 &#8211; <a href=\"https:\/\/www.reuters.com\/article\/moncler-results\/italys-moncler-sees-further-growth-this-year-after-15-pct-rise-in-2017-sales-idUSL8N1QG531\" target=\"_blank\" rel=\"noopener\">Italy&#8217;s Moncler sees further growth this year after 15 pct rise in 2017 sales<\/a>). <em>Financial Times<\/em> also covers the transfer of ownership of the La Perla luxury brand, which has just been acquired by a German investor (February 26 &#8211; <a href=\"https:\/\/www.ft.com\/content\/92b395a8-1aea-11e8-956a-43db76e69936\" target=\"_blank\" rel=\"noopener\">Lars Windhorst snaps up luxury fashion house La Perla<\/a>).<\/p>\n<p class=\"NormalWeb\">Alongside fashion shows, some newspapers are recounting the events underway in Milan: <em>The New York Times<\/em> attends in the charity auction of \u201cstreet-style star\u201d Anna dello Russo (February 22 &#8211; <a href=\"https:\/\/www.nytimes.com\/2018\/02\/22\/fashion\/anna-dello-russo-christies-milan.html\" target=\"_blank\" rel=\"noopener\">Anna dello Russo, Street-Style Star, Decides to Move On<\/a>), while <em>Financial Times<\/em> visits \u201c<em>Italiana: Italy Through the Lens of Fashion 1971-2001<\/em>,\u201d reporting how, with this exhibition, the industry capital is celebrating a \u201cgroundbreaking era\u201d in Italian-made luxury (February 23 &#8211; <a href=\"https:\/\/www.ft.com\/content\/a2f56d4c-17bb-11e8-9e9c-25c814761640\" target=\"_blank\" rel=\"noopener\">What\u2019s the drama with Italiana?<\/a>).<strong><\/strong><\/p>\n<p class=\"NormalWeb\"><strong>Culture<\/strong> \u2013 In culture, again at Milan\u2019s Palazzo Reale, <em>Financial Times<\/em> visits \u201cD\u00fcrer e il Rinascimento: tra Germania e Italia,\u201d a show dedicated to the German master\u2019s Italian influences (February 23 &#8211; <a href=\"https:\/\/www.ft.com\/content\/2a4c1368-1730-11e8-9376-4a6390addb44\" target=\"_blank\" rel=\"noopener\">Albrecht D\u00fcrer and the influence of Italy<\/a>). <em>Liberation <\/em>and <em>Les Echos<\/em>, on the other hand, review <em>Call Me by Your Name<\/em>, the \u201csensual and alluring\u201d film by Luca Guadagnino (February 27 &#8211; <a href=\"http:\/\/next.liberation.fr\/cinema\/2018\/02\/27\/call-me-by-your-name-l-ephebe-papillonne_1632713\" target=\"_blank\" rel=\"noopener\">\u00abCall Me by Your Name\u00bb, l\u2019\u00e9ph\u00e8be papillonne<\/a>; <a href=\"https:\/\/www.lesechos.fr\/week-end\/cinema\/films\/0301339729414-un-ete-nomme-desir-2156965.php#3OpkFxf01HjryEAd.99%233OpkFxf01HjryEAd.99\" target=\"_blank\" rel=\"noopener\">\u00ab Call Me by Your Name \u00bb : un \u00e9t\u00e9 nomm\u00e9 d\u00e9sir<\/a>). There is also coverage of Nanni Moretti and his <em>La messa \u00e8 finita<\/em>, a film that, according to <em>Le Nouvel Observateur<\/em> shows \u201cits currency\u201d even today, more than 30 years after it was made (February 27 &#8211; <a href=\"https:\/\/teleobs.nouvelobs.com\/la-selection-teleobs\/20180220.OBS2481\/ne-ratez-pas-la-messe-est-finie.html\" target=\"_blank\" rel=\"noopener\">Ne ratez pas : &#8220;La messe est finie&#8221;<\/a>).<strong><\/strong><\/p>\n<p class=\"NormalWeb\"><strong>Lifestyle<\/strong> \u2013 This week, lifestyle reporting is dedicated to the luxury properties international buyers are seeking in Italy. While <em>Financial Times<\/em> recommends the purchase of Villa Guttuso, in Sardinia, \u201cfor art lovers\u201d (February 23 &#8211; <a href=\"https:\/\/www.ft.com\/content\/d20e394a-10e7-11e8-a765-993b2440bd73\" target=\"_blank\" rel=\"noopener\">Five homes for art lovers<\/a>), <em>Les Echos<\/em> visits the Pisa area, where, in the sixteenth-century villa named \u201cIl Palagio,\u201d Sting and his wife \u201chave found paradise\u201d (March 1 &#8211; <a href=\"https:\/\/www.lesechos.fr\/serie-limitee\/art-de-vivre\/vins-spiritueux\/0301339297506-sting-en-toscane-2157533.php\" target=\"_blank\" rel=\"noopener\">Sting en Toscane<\/a>). Cuisine is also covered, with <em>Der Standard<\/em> recommending a recipe for radicchio e mascarpone (February 27 &#8211; <a href=\"https:\/\/derstandard.at\/2000074989223\/Risotto-al-Radicchio-e-Mascarpone-Einzigartig-cremiger-Genuss\" target=\"_blank\" rel=\"noopener\">Risotto al Radicchio e Mascarpone: Einzigartig cremiger Genuss<\/a>) and <em>Die Zeit<\/em> proposing spaghetti \u201cgilded\u201d with saffron (February 28 &#8211; <a href=\"http:\/\/www.zeit.de\/zeit-magazin\/2018\/10\/spaghetti-safran-butter-wochenmarkt\" target=\"_blank\" rel=\"noopener\">Mit Safran vergoldete Pasta<\/a>*).<\/p>\n<p>&nbsp;<\/p>\n<p>*Article available for pay \/ at registration<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"NormalWeb\"><strong>Fashion<\/strong> \u2013 The final days of Milan fashion week monopolize coverage in foreign dailies: the spotlight is on <strong>Prada<\/strong> (<em>Reuters<\/em>, February 22 \u2013 <a href=\"https:\/\/www.reuters.com\/article\/fashion-milan-prada\/rpt-prada-brings-milan-to-its-feet-with-a-collection-of-bold-lines-and-colours-idUSL8N1QD02Y\" target=\"_blank\" rel=\"noopener\">Prada brings Milan to its feet, with a collection of bold lines and colours<\/a>) and <strong>Ferragamo<\/strong> (<em>Financial Times<\/em>, February 25 &#8211; <a href=\"https:\/\/www.ft.com\/content\/c3814e58-19cf-11e8-956a-43db76e69936\" t\n<\/p>\n","protected":false},"author":2358,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"freetags":[],"tipologiapin":[2375],"tag_tecnica":[],"temi_aspen":[],"attivita_internaz_in_essere":[],"attivita_internaz_concluse":[],"studi_e_ricerche":[],"class_list":["post-72656","pin","type-pin","status-publish","hentry","tipologiapin-foreign-press-italys-success-stories"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/72656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin"}],"about":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/types\/pin"}],"author":[{"embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/users\/2358"}],"version-history":[{"count":0,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/72656\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/media?parent=72656"}],"wp:term":[{"taxonomy":"freetags","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/freetags?post=72656"},{"taxonomy":"tipologiapin","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tipologiapin?post=72656"},{"taxonomy":"tag_tecnica","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tag_tecnica?post=72656"},{"taxonomy":"temi_aspen","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/temi_aspen?post=72656"},{"taxonomy":"attivita_internaz_in_essere","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_in_essere?post=72656"},{"taxonomy":"attivita_internaz_concluse","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_concluse?post=72656"},{"taxonomy":"studi_e_ricerche","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/studi_e_ricerche?post=72656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}