{"id":71971,"date":"2013-12-09T10:22:22","date_gmt":"2013-12-09T09:22:22","guid":{"rendered":"https:\/\/www.aspeninstitute.it\/pin\/week-november-22-28\/"},"modified":"2013-12-09T10:22:22","modified_gmt":"2013-12-09T09:22:22","slug":"week-november-22-28","status":"publish","type":"pin","link":"https:\/\/www.aspeninstitute.it\/en\/pin\/week-november-22-28\/","title":{"rendered":"The week of November  22 &#8211; 28"},"content":{"rendered":"<p><strong>Culture<\/strong> \u2013 The shining success of Italian culture was highlighted in the foreign press last week, which reported on the record number of visitors to the Venice Biennial (<em>El Pais<\/em>, November 24 &#8211; <a href=\"http:\/\/cultura.elpais.com\/cultura\/2013\/11\/24\/actualidad\/1385288276_557767.html\" target=\"_blank\" rel=\"noopener\">Cerr\u00f3 la Bienal de Venecia, ahora llega el turno de los museos<\/a>). In addition, according to the <em>Financial Times<\/em>, the Orchestra of Santa Cecilia (whose home is the Auditorium Parco della Musica of Rome) is one of the European musical institutions that has best managed change over recent years (November 27 &#8211; <a href=\"http:\/\/www.ft.com\/intl\/cms\/s\/2\/19c88b6c-574e-11e3-b615-00144feabdc0.html#axzz2lvq2BAZy\" target=\"_blank\" rel=\"noopener\">Santa Cecilia Orchestra and Chorus\/Antoni Wit, Auditorium Parco della Musica, Rome \u2013 review<\/a>). Finally, <em>New York Times <\/em>ran an interview with Umberto Eco, master of historic fiction <em>(<\/em>November 28 &#8211; <a href=\"http:\/\/www.nytimes.com\/2013\/11\/28\/arts\/international\/umberto-eco-a-master-of-fiction-considers-historys-lies.html?hpw&amp;rref=arts&amp;_r=0\" target=\"_blank\" rel=\"noopener\">&#8220;Umberto Eco: A Master of Fiction Considers History&#8217;s Lies&#8221;<\/a>*).<\/p>\n<p><strong>Change begins with business<\/strong> \u2013 The foreign press also talked about the signs of change seen in investors\u2019 renewed interest in Italy. The major US economic paper, the <em>Wall Street Journal <\/em>, explained that <strong>private equity<\/strong> is once again looking at Southern Europe (November 24 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/online.wsj.com\/news\/articles\/SB10001424052702304607104579211793302019378?KEYWORDS=italy\" target=\"_blank\" rel=\"noopener\">Private Equity Returns to Spain, Ital<\/a>y*) and underlined how some business signals \u2013 starting with the industrial plan of <strong>Generali<\/strong> \u2013 show that Italy \u201ccan change \u201d (November 27 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/online.wsj.com\/news\/articles\/SB10001424052702303332904579223793175923748?KEYWORDS=ITALY\" target=\"_blank\" rel=\"noopener\">Generali Shows Italy Can Change<\/a>). Concrete proof of this comes from the financial markets, which are turning towards one of Made in Italy\u2019s most outstanding sectors: the luxury market. Thus, while the Milan stock market is preparing for the IPO of <strong>Moncler<\/strong>, the largest luxury firm on the market &nbsp;(<em>Financial Times<\/em>, November 27 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/www.ft.com\/intl\/cms\/s\/0\/4b30db5c-5747-11e3-9624-00144feabdc0.html?siteedition=intl#axzz2lvq2BAZy\" target=\"_blank\" rel=\"noopener\">Moncler revives plan for Milan bourse IPO<\/a>*), investors are also looking at buying the minority share that Versace is about to put up for sale (<em>Wall Street Journal<\/em>, November &nbsp;27 &#8211; <a href=\"http:\/\/online.wsj.com\/news\/articles\/SB10001424052702304747004579223950944631702\" target=\"_blank\" rel=\"noopener\">Versace Studying Bids for 20% Stake<\/a>*).<\/p>\n<p><strong>Turism and cooking<\/strong> \u2013 The <em>New York Times<\/em> showed its readers Italy\u2019s smaller neighborhoods &nbsp;(November 24 &#8211; <a href=\"http:\/\/www.nytimes.com\/2013\/11\/24\/travel\/seeking-authenticity-in-italys-tiny-neighbor.html?hpw&amp;rref=travel\" target=\"_blank\" rel=\"noopener\">Seeking Authenticity in Italy&#8217;s Tiny Neighbor <\/a>*) and suggested an unusual trip through Venice in kayak (November 27 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/intransit.blogs.nytimes.com\/2013\/11\/27\/venice-by-kayak\/\">Venice by Kayak <\/a>). Meanwhile <em>Die Welt<\/em> paid tribute to Turin&nbsp; (November 28 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/www.welt.de\/print\/welt_kompakt\/koeln\/article122337614\/Turin-Italien.html\" target=\"_blank\" rel=\"noopener\">Turin \u2013 Italien<\/a>), and another two German papers discussed Italian cars. <em>Sueddeutsche Zeitung<\/em> explained how Alfa Romeo is reinventing itself (November 23 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/www.sueddeutsche.de\/auto\/italienischer-automobilhersteller-alles-auf-anfang-bei-alfa-1.1824053\" target=\"_blank\" rel=\"noopener\">Alles auf Anfang bei Alfa<\/a>) and <em>Die Ziet <\/em>sang the praises of a myth of the Italian automotive industry, one that has little to do with supercars: the Fiat Uno, Europe\u2019s best-selling economy car&nbsp; (November 24 &nbsp;&nbsp;&#8211;&nbsp; <a href=\"http:\/\/www.zeit.de\/mobilitaet\/2013-11\/autoklassiker-fiat-uno\" target=\"_blank\" rel=\"noopener\">Sein Name war Programm<\/a>). Finally, as always, there was interest in cooking. <em>El Pais<\/em> reported on the Amanita award, given in Spain to the Italian chef Massimo Bottura for his visionary dishes with mushrooms (November 25 &nbsp;&nbsp;&#8211; <a href=\"http:\/\/economia.elpais.com\/economia\/2013\/11\/25\/agencias\/1385419083_757909.html\" target=\"_blank\" rel=\"noopener\">Bottura invita a aplicar la poes\u00eda en la cocina para crear platos visionarios<\/a>), and the <em>Financial Times<\/em> published a recipe for fondue (November 22 &nbsp;&#8211; <a href=\"http:\/\/www.ft.com\/intl\/cms\/s\/2\/7c8abf54-5177-11e3-b499-00144feabdc0.html\" target=\"_blank\" rel=\"noopener\">Recipe: fonduta<\/a>*)<\/p>\n<p>&nbsp;<\/p>\n<p>* marked articles viewable online upon payment or registration<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Culture<\/strong> \u2013 The shining success of Italian culture was highlighted in the foreign press last week, which reported on the record number of visitors to the Venice Biennial (<em>El Pais<\/em>, November 24 &#8211; <a href=\"http:\/\/cultura.elpais.com\/cultura\/2013\/11\/24\/actualidad\/1385288276_557767.html\" target=\"_blank\" rel=\"noopener\">Cerr\u00f3 la Bienal de Venecia, ahora llega el turno de los museos<\/a>).<\/p>\n","protected":false},"author":2357,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"freetags":[],"tipologiapin":[2375],"tag_tecnica":[],"temi_aspen":[],"attivita_internaz_in_essere":[],"attivita_internaz_concluse":[],"studi_e_ricerche":[],"class_list":["post-71971","pin","type-pin","status-publish","hentry","tipologiapin-foreign-press-italys-success-stories"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/71971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin"}],"about":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/types\/pin"}],"author":[{"embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/users\/2357"}],"version-history":[{"count":0,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/pin\/71971\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/media?parent=71971"}],"wp:term":[{"taxonomy":"freetags","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/freetags?post=71971"},{"taxonomy":"tipologiapin","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tipologiapin?post=71971"},{"taxonomy":"tag_tecnica","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/tag_tecnica?post=71971"},{"taxonomy":"temi_aspen","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/temi_aspen?post=71971"},{"taxonomy":"attivita_internaz_in_essere","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_in_essere?post=71971"},{"taxonomy":"attivita_internaz_concluse","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/attivita_internaz_concluse?post=71971"},{"taxonomy":"studi_e_ricerche","embeddable":true,"href":"https:\/\/www.aspeninstitute.it\/en\/wp-json\/wp\/v2\/studi_e_ricerche?post=71971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}